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Font substitution systems like fontconfig, or application-level font fallback configuration within OpenOffice. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives.

The substitution mechanism itself is outside the scope of the license. Users can always manually change a font reference in a document or set up some kind of substitution at a higher level but at the lower level the fonts themselves have to respect the Reserved Font Name s requirement to prevent ambiguity.

If a substitution is currently active the user should be aware of it. You may not use the words of the font names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it.

Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute. Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name.

Reserved Font Names should also be single words. No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified versions. You may, however, give certain trusted parties the right to use any of your Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion.

That is a change to the license as of version 1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement s. It has three purposes: 1 to provide basic information on the font to users and other developers, 2 to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3 to provide a place to acknowledge the authors and other contributors. Please use it!

See below for details on how changes should be noted. No, but users, designers and other developers might get very frustrated at you if you don't! People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. This information should be distributed along with the fonts and any derivative works.

It can also include references to how changes can be contributed back to the Original Version. You may also wish to include a short guide to the design, or a reference to such a document. Here are some examples: 7 February Pat Johnson Version 1.

If you make modifications be sure to add your name N , email E , web-address W and description D. This list is sorted by last name in alphabetical order. It would benefit many people if you contributed back to what you've received. Providing your contributions and improvements to the fonts and other components data files, source code, build scripts, documentation, etc. Sometimes maintaining your own separate version takes more effort than merging back with the original.

Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute.

Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts.

It would also help to have contributions submitted as patches or clearly marked changes the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea. Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates and the smart font code to access them or improved hinting.

It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this.

Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version.

In case of the font, that comes with this copy of the FAQ-file, you will find a paypal tm donation link on the fonts-page of www. Will there be later changes? Version 1. We are confident that version 1. Any revisions would be for future font releases, and previously existing licenses would remain in effect.

No retroactive changes are possible, although the Copyright Holder s can re-release the font under a revised OFL. We heartily encourage anyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts.

The Copyright Holder s still retain s all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder s may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version.

Only the Copyright Holder s can do this. The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license. Making the license very clear and readable is a key goal of the OFL.

If you are an experienced translator, you are very welcome to help by translating the OFL and its FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems.

A release under the OFL is only valid when using the original English text. However, we recognize that this unofficial translation will help users and designers not familiar with English to understand the SIL OFL better and make it easier to use and release font families under this collaborative font design model. These cookies ensure basic functionalities and security features of the website, anonymously. The cookie is used to store the user consent for the cookies in the category "Analytics".

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Performance performance. Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.